Friday, June 28, 2019

Gorbachev and His RevolutionGorbachev and His Revolution by Mark Galeotti
My rating: 4 of 5 stars

"Gorbachev's grandeur was that he was able to break the conditioning of 60 years of Party rule and try to change his country without violence and without the CPSU; his tragedy was that he was to fail."

Mark Galeotti's Gorbachev and His Revolution, despite its limited scope and small volume (140 pages), evidently succeeds in presenting a thorough portrait of Mikhail Gorbachev, one of the most important political leaders in the second half of the 20th century, and - more importantly - in emphasizing the role Gorbachev played in the fall of the Soviet Union. My review is too long and I have to confess to a clear bias: I believe that Mr. Gorbachev contributed much more to the end of the Soviet empire than most people think; certainly more than Ronald Reagan's policy or the revolutionary events in the Soviet block countries.

I wholeheartedly agree with the author when he writes
"History, thank heavens, is no longer defined as the 'doings of great men'."
But I also agree with him that
"Yet to pretend that Gorbachev's own choices and character played no part in the events here described is to ignore the very necessary human dimension in history."
The author begins with explanation how the Soviet system of power had worked until the late 1980s: the parliament and the government were only decorative bodies with no actual influence on politics and the entire power belonged to the Communist Party or - more precisely - to its leadership, the Politburo, a group of old men in their 60s and 70s. Then we read about socio-economic forces as well as political events that eventually helped unleash the 'Gorbachev's revolution': the endemic corruption of the party bureaucracy under Brezhnev, the near-collapse of Soviet economy in the late 1970s, the Afghanistan war of occupation, and the birth of the Solidarity movement in Poland and its initial massive success.

It was Yuri Andropov, the short-lived successor of Brezhnev in the supremely powerful position of the General Secretary of the Communist Party, who laid the foundations for Gorbachev's revolution. It was Andropov who fast-tracked Gorbachev's career in the party. Thanks to Andropov Gorbachev had gained several supporters in the Politburo so when Konstantin Chernenko, another short-lived General Secretary of the Communist Party, died in 1985, the fight for succession was short, if quite close (Andrei Gromyko is said to have cast the deciding vote). On March 10, 1985 Gorbachev became the new General Secretary.

While Gorbachev's six years in power are relatively well known to the American reader Dr. Galeotti does a great job of explaining the emphases of Gorbachev's politics. At the beginning he follows Andropov's policies: introduces the so-called 'uskoreniye' (acceleration), basically an attempt to improve the economy, and expands the anti-drinking campaign. Naturally, both initiatives fail and Gorbachev realizes that if he is to succeed reform is not enough - a true revolution is needed.

Hence, Gorbachev embarks on his two most famous initiatives: Glasnost ("Openness") and Perestroika ("Restructuring") that will eventually heavily contribute to the fall of the Soviet Union. On the one hand the new policies are vehemently opposed by the party apparatus, for whom they go too far, and by more radical reformers, for whom they do not go far enough. On the other hand, the policies are opposed by most ordinary people for whom they do not bring appreciable improvements in their lives. Also, let's not forget that small-scale corruption had always been a prevalent mechanism that made life possible in Soviet Union (as it does in many other places, of course). Attempts to eliminate corruption made life more difficult for millions of people.

Yet what mainly influenced the dynamics of the process was that Gorbachev's reforms unleashed three major forces that combined to destroy the Soviet Union: nationalism, return to religion, and unprecedented increase in mass political participation. No one was able to stop these forces, certainly not Gorbachev himself. He is deposed in a failed coup of August 1991. Ukraine and other Soviet republics declare independence and December 31, 1991 becomes the official date of dissolution of the Soviet empire. Thus Gorbachev's push to reform and improve the Soviet Union results in its demise.

I agree when Dr. Galeotti suggests that Gorbachev's revolution failed because he sought support for his reforms in the Communist Party rather than among the ordinary people. Yet I also venture to point out another aspect of the situation: in the mid-1980s, when the entire union was in deep paralysis, when nothing worked as it should, with economy in total shambles, virtually no one would consider that the Soviet Union might fail. It was far more likely that the earth would reverse its run around the sun. The end of Soviet ideology was not even in the realm of fantasy - it was pure impossibility. And yet the doings of one man, Mikhail Gorbachev, helped millions of people realize that maybe things can be changed.

And the history did change, not in the direction that anyone had planned - history never does that - but no one can take away from Mr. Gorbachev his tremendous contributions towards the fall of the Empire. I believe that Gorbachev's choices changed the history of 20th century to the extent that had never been achieved by any other politician.

Four stars.



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Sunday, June 23, 2019

If Death Ever Slept (Nero Wolfe, #29)If Death Ever Slept by Rex Stout
My rating: 2 of 5 stars

"[...] Otis Jarrell's new secretary had turned out to be no other than Nero Wolfe's man Friday, Saturday, Sunday, Monday, Tuesday, Wednesday, and Thursday, the celebrated detective, Archie Goodwin."

If Death Ever Slept, the 29th installment in Rex Stout's legendary series, has quite an unusual beginning: Archie Goodwin is trying to teach Nero Wolfe a lesson. Wolfe is annoyed by not having been told where Archie was spending an evening. Archie thinks it is not any of Mr. Wolfe's business where he spends his personal time so they are barely talking. Until a client arrives...

The client is one Otis Jarrell, a "capitalist" in Archie's words, who wants to hire Wolfe to "get the snake out" of his house, the reptile being his daughter-in-law. Wolfe and Goodwin are told about her machinations and plotting against Mr. Jarrell. Archie Goodwin agrees to play the role of Mr. Jarrell's secretary and live with him and his family in their 20-room apartment. His real job will be to substantiate the scheming claims.

Naturally, things are not as straightforward as they appear to be. Also naturally, there occurs a murder. Initially, Wolfe and Archie make very little progress and at one point Wolfe gets so exasperated that he returns the big check to the client, trying to drop the case. But then the novel would not get written so... back to work.

The "obese genius of detection" needs to gather suspects in his office three times during the investigation, not just only for denouement purposes, as happens in most Wolfe novels. Inspector Cramer gets involved and for long hours Archie is grilled at the police station.

Wolfe hires the usual crew of Saul Panzer, Fred Durkin, Orrie Cather, and even Dol Bonner to follow the suspects. The author invites the readers to solve the case on their own: almost seven pages of extremely detailed timetables are provided to itemize what each of the seven suspects was doing for several days. This will be a bonus for readers who - unlike me - enjoy the detection aspect of the stories.

All in all, for me If Death Ever Slept is a below-the-average installment of the Wolfe saga. Other than the fragment shown in the epigraph I have found only one mildly amusing quote:
"[...] probably put it on the expense account. Transportation to and from a conference to discuss whether anyone present is a murderer is probably tax deductible."
Two-and-a-quarter stars.


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Wednesday, June 19, 2019

No Turn Unstoned: The Worst Ever Theatrical ReviewsNo Turn Unstoned: The Worst Ever Theatrical Reviews by Diana Rigg
My rating: 3 of 5 stars

"'A critic is a man who leaves no turn unstoned,' as my friend the Reverend Joseph McCulloch once remarked to me, and from this maxim came my idea for the book. It followed, surely, that everyone in my profession must, at some time, have been given a bad notice. So I wrote to all the well-known actors and actresses of today and asked them to donate their worst/funniest review."
(From the author's Introduction.)

Diana Rigg is one of the greatest living stage and film actresses, winner of the Tony Award for the title role in Medea. She is also a CBE and a Dame for her service to the arts of drama. Most people my age, though, remember her from the unforgettable role of Emma Peel in the British cult TV series of the late 1960s, The Avengers (please note that it has absolutely nothing to do with the Hollywood Avengers of today, and is of stellar quality instead, sort of like Monty Python of science-fiction; if anything, it might be considered a precursor of X-Files.) I was a late teenager in the late 1960s and like tens of thousands of other teenagers I was in love with Ms. Rigg. She also appeared in one Bond movie, On Her Majesty's Secret Service, and James Bond actually married her. Well, had I been James Bond I would have married her too. Most men would. Anyway.

No Turn Unstoned (1982) is a collection of fragments of "the worst ever theatrical reviews" compiled by Diana Rigg. There is no good way of reviewing a book that consists of a thousand or so quotes. Let me only say the collection is very funny, and even if the readers have not heard about many people that are criticized, often brutally but almost always wittily, they will laugh out loud anyway. But before I quote a few of my favorite bits and pieces, here's a partial list of really famous actors who are skewered by the reviewers: Judi Dench, Tom Courtenay, Sarah Bernhardt, Julie Christie, Mia Farrow, Albert Finney, John Gielgud, Ian Holm, Anthony Hopkins, Glenda Jackson, Laurence Olivier, Orson Welles, Marlene Dietrich, Katherine Hepburn, and Vanessa Redgrave. Each one of these giants of acting took a beating from critics at some point of their career. What about Diana Rigg herself? Sure, she gets made fun of too:
"Diana Rigg is built like a brick mausoleum with insufficient flying buttresses."
Some of my other favorites: About Katharine Hepburn:
"An actress of such strikingly limited ability that, in professional company, she seems almost amateurish [...] You know she can't act, yet you do not particularly mind."
About John Gielgud:
"Mr. Gielgud has the most meaningless legs imaginable."
About Glenda Jackson:
"Glenda Jackson has a face to launch a thousand dredgers."
About a certain play:
"I can certainly add that, unpleasant though the prospect of being kicked in the stomach by a horse may be, I would certainly rather be kicked in the stomach by a horse than see the play again."
A devastating, sometimes cruel, and very funny collection!

Three-and-a-half stars.


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Friday, June 14, 2019

Might as Well Be Dead (Nero Wolfe, #27)Might as Well Be Dead by Rex Stout
My rating: 3 of 5 stars

"'I've never seen him like that, with any life in him. The first time I saw him he said he might as well be dead. He had nothing but despair, and he never has had.'"

Might as Well Be Dead is the 27th novel in Rex Stout's monumental series featuring Nero Wolfe, the obese genius of detection, and his intrepid and suave helper, right hand, and amanuensis, Archie Goodwin. A Mr. Herold, a well-to-do businessman from Nebraska wants to hire Wolfe to find his son Paul. Paul was once accused of stealing money from his father's company, which estranged him from the family, but it has now become known that he was in fact innocent: the father wants to make amends.

Nero Wolfe takes the job despite instant dislike for Mr. Herold: the client uses the word "contact" as a verb. Pfui! Naturally, Archie does most of the work and Wolfe does most of the thinking. The case almost instantaneously gets intertwined with a currently ongoing murder trial of a certain Peter Hays (note the initials). The jury is just about to deliver the verdict and the lawyer handling Hays' defense wants to consult Nero Wolfe.

In addition to Wolfe and Goodwin, four Wolfe's operatives are involved in the complicated investigation. Two more people die before Wolfe and Goodwin solve the case during the usual, cliché denouement that takes place in Wolfe's office. Uncharacteristically for Rex Stout novels, there is a fairly brutal scene near the end of the book: the way the scene is written reads a little jarring. I do not mind; after all, brutality is natural in novels that focus on murder. Also, I love when authors break their own conventions and go against the reader's expectations. I am just wondering why the author decided to go against the usual style in this particular instance.

Readers who enjoy Nero Wolfe books for the prose will find some nice passages like
"She was in a dressing gown or house gown or negligee or dishabille - anyway, it was soft and long and loose and lemon-colored - and without make-up. Without lipstick her mouth was even better than with. A habit of observation of minor details is an absolute must for a detective."
Also, just for fun, I counted the occurrences of the phrase "might as well be dead" in the text of the novel. Seven times!

Overall, not one of the better installments in the series, but not one of the weakest either.

Two-and-a-half stars.


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Monday, June 10, 2019

AndropovAndropov by Zhores A. Medvedev
My rating: 3 of 5 stars

"Changes in the leadership of the Soviet Union are so rare that they are treated like revolutions. Brezhnev was in office for eighteen years. [...] The change finally took place on 10 November 1982, after Brezhnev's death. [...] it had not been expected that the man elected to succeed as General Secretary of the Communist Party of the Soviet Union would be Yuri Vladimirovich Andropov, the former head of KGB, a man who was certainly not Brezhnev's choice."

Readers below the age of 40 may not even remember the existence of the Soviet Union, for a long time the only other global superpower, equal in its political and military might to United States. I was born, raised, and spent my entire youth in Poland, which was a part of the Soviet block and almost completely dominated by Soviet ideology. I doubt that there existed many people among hundreds of millions living in the Soviet block who would imagine that the Soviet Union might one day disappear. Disappearance of sun or moon was way more likely. Even just a change at the very top of the Soviet leadership was indeed like a revolution. During all my years in Poland I lived through three such momentous events, but the change from Brezhnev to Andropov seemed to be the most important: Poland was at that time technically still under martial law after crushing the Solidarity movement and the main question for Poles was how the change of the Soviet General Secretary might affect the Polish fight for freedom.

Zhores A. Medvedev's book Andropov (1983) is a must read for anyone interested in the Communist ideology and the history of the second half of the 20th century. The author, a scientist and political activist who died last year, is the twin brother of perhaps the better-known Medvedev, Roy, a Russian historian. The author begins the Andropov's story with an account of the power struggle among the Soviet leadership when Brezhnev's health deteriorates and it becomes obvious that he will die soon.

Then the Andropov's biography proper begins and fast forwards through his first 40 years. In 1954 he becomes the Soviet ambassador to Hungary: the author focuses on Andropov's role in the bloody crushing of the Hungarian revolt of 1956. When he returns to Moscow he becomes a high-level functionary of the Communist Party's Central Committee and becomes a rather unwilling participant in the never-ending power struggle in the highest echelons of the party bureaucracy. In 1967 Andropov becomes the head of KGB in which position he stays for 15 years.

While an image of "liberal" and "sophisticated" Andropov is carefully cultivated, as the Chairman of KGB he is very effective and manages to largely eliminate political dissent through
"'moral and economic terror', a comprehensive system of depriving active dissidents of almost everything of value: education, employment, academic and research facilities, press or other media sources, income, and, if they still do not behave, freedom as well."
Then comes November of 1982, Brezhnev's death, and Andropov assumes the position of the General Secretary, which was much more powerful in the Communist world than that of the President of the US. We read about Andropov's foreign policy and the changes he attempts to make in domestic policies. We learn about his unsuccessful anticorruption campaign - the entrenched conservative bureaucracy from Brezhnev's times emerges victorious and succeeds in maintaining the status quo of ubiquitous corruption. Yuri Andropov dies after only 14 months in power and Konstantin Chernenko, a man in the Brezhnev's mold is elected to the top position.

There are clear signs of coming change, though: Mikhail Gorbachev emerges in 1983 and becomes the most influential figure in the Communist Party, despite Chernenko's top post. It is Gorbachev whose actions will in a few short years contribute in a major way to the event that had been impossible to ever imagine for hundreds of millions of people in the Soviet block - the fall of Communism. I am planning to review a book about the Gorbachev's revolution in two-three weeks.

Andropov is an interesting book but since it was written in 1983 - the death of Andropov is mentioned only in the Afterword - it lacks historical perspective. Had it been written in the later 1980s it would have likely been more insightful.

Three stars.

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Wednesday, June 5, 2019

A is for Alibi (Kinsey Millhone, #1)A is for Alibi by Sue Grafton
My rating: 4 of 5 stars

"My name is Kinsey Millhone. I'm a private investigator, licensed by the state of California. I'm thirty-two years old, twice divorced, no kids."

So begins "A" is for Alibi (1982), the first novel in the acclaimed and long-running private-detective "alphabet series" of novels by Sue Grafton. I first read the book in the mid-1980s and now I am coming back to see whether my reception has significantly changed in the intervening 35 years. Not much. I still think it is a very good book. Several beginning passages remind me of Ross Macdonald's novels, which to me is quite a high praise. Unfortunately, I find much later books in the "alphabet series" virtually unreadable. For me the breakdown in the series quality begins somewhere around "P" or "Q". Trying to read "T" was quite a painful experience: pages and pages and pages of nothing, just empty words. But let's get back to the good times.

We meet Kinsey as Nikki Fife comes to her office. Nikki, a person of substantial means, has just been released from prison after serving an eight years sentence: she was convicted for murdering her husband, poisoning him with oleander extract. Nikki still claims her innocence and wants to hire Kinsey to find the actual murderer. Kinsey knows the case; she had even attended the trial because she used to work for the victim. Lt. Dolan, a police detective and Kinsey's acquaintance, lets her read the old files from which she learns that there was another deadly poisoning with oleander extract at about the same time. The investigation gets quite complex very fast.

The plot mainly takes place in Santa Teresa, which is a fictionalized version of Santa Barbara in California (a homage to Ross Macdonald who used the same fictional setting for many of his novels). The case takes Kinsey to Los Angeles, Las Vegas, and other places: Ms. Grafton's prose well captures the character of various locations. Maybe it is just nostalgia but when reading "A" I felt I moved back in time. I remember California from almost exactly the same time (although I do not quite remember motel rooms with continental breakfast for $11.95, mentioned in the novel; more like $19.95). And the telephone answering service! A concept that would be so alien to young people these days like knights on horses are for me.

We meet two recurring characters in the "alphabet series": the elderly Henry Pitts, Kinsey's landlord, and Rosie, the owner of a restaurant with a Hungarian twist to its cuisine. I have two strong personal connections with the novel: the first - as I mentioned - is the time frame: good old times of 1982/1983 when I became a resident of California and traveled on the same highways and freeways that Kinsey did at about the same time. My second connection is with the very little town of Durmid on the east coast of Salton Sea. It is only few miles away from the place in the Chocolate Mountains desert where a group of Polish immigrants used to camp over New Year's Eves in the 1990s and 2000s.

The first part of the novel impresses with clean and economical prose. Also, Ms. Grafton offers a well-crafted study of the dynamics of sexual attraction. The entire Kinsey and Charlie thread is enthralling, readable, and well-written. "A" is a highly recommended read!

Three-and-three-quarter stars.

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